Calgary Women’s Literary Club Features Author Clem Martini

As part of our 110th Anniversary Celebrations, we had a very special guest, Calgary author and playwright Clem Martini. He focused on sharing his special insights into how writing becomes therapeutic… for the writer and the audience.

For more about Clem Martini, click here

Clem Martini has been awarded three Alberta Writers Guild Prizes and has won the National Playwriting Competition.  In 2008,  he was appointed head of the drama department at the University of Calgary, and teaches playwriting, screen writing, and theatre for young adults.  He writes fiction, non-fiction and plays.

Mr. Martini’s presentation focused on the therapeutic aspects of writing. He read excerpts and discussed his works from two of his books:  Too Late – a novelette written while working with Wood’s Homes, a residential treatment centre for troubled youth, where he taught drama and playwriting, and One Hundred Stories for One Hundred Years – an anthology that also reflected his time spent working at Woods Homes. During his 15 years there, Martini met and worked with marginalized young people who were often at odds with their families and frequently felt trapped in criminal lifestyles. The imprint of these troubled youth appears in Martini’s writings, which frequently features conflicted characters seeking release and struggling to discover their true selves.

In 1987, while at Wood’s Homes, he was asked to create a summer stock theatre in association with the Canadian Mental Health community.  His mandate was to create plays that the Wood’s Homes kids could write, produce and perform.  He explained how very successful this summer stock was for the youth who not only had come from dysfunctional backgrounds, but who were experts at failing in every aspect of their lives. We were delighted to hear stories about how these troubled youth were able to use this theatre experience to reconnect with their families and feel good about themselves through their writing, producing and performing “their” play.

In 1977, Mr. Martini’s youngest brother was diagnosed with schizophrenia and then committed suicide.  10 years later, his older brother was diagnosed with schizophrenia.  In 1987, the director of the National Film Board of Canada asked him to talk about schizophrenia publicly in a film. His whole family would have to participate and he would have to write the narration.  All of his family agreed to talk except his dad because mental illness was considered so shameful.  His mother was apprehensive because of the guilt inflicted on the mothers of those suffering with mental illness. The film, “Shattered Dreams,” was a good experience both for his immediate family and for those around the world who were impacted by the honesty and open dialogue of their family’s story.

Mr. Martini read an excerpt from Upside Down – a guide to dealing with mental illness for junior high youth.

Writing has the capacity to understand and can heal hurts. His book, Bitter Medicine chronicles his family’s 30-year struggle with schizophrenia, and is illustrated by his brother, Olivier, who suffers from schizophrenia.   Bitter Medicine was part of the Common reading program – every first year student coming into U of C in 2012 was required to read it.  The students then had the opportunity to participate in online and group discussions, enter contests and participate in various programs over the rest of the summer and during Fall Orientation. At the launch of Bitter Medicine for this Common Reading Program, with 300 people in attendance, Olivier was super nervous,  but when they applauded, he was delighted.  After they got a standing ovation, Olivier said, “This is great; this is the best experience of my life.”

Martini explained that he has learned much about mental illness over the years – some intentional and some unintentional.  But the biggest thing he has learned is that mental illness changes the family dynamics.  He has learned that schizophrenia is a like a wrecking ball that hits everything – and it keeps swinging.

MARCH 1st starts at 1:30!

A warm “hello” to everyone.

As February unfolds, I’m beginning to anticipate our CWLC program and the opening meeting for 2016.

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As usual, we will gather at the Memorial Park Library on Tuesday, March 1st. We’ve scheduled this meeting to begin at 1:30pm thus allowing time to celebrate the 110th anniversary of our club which began in 1906.

As listed in the program, Clem Martini from the U of C will be our guest speaker. A Calgarian by birth, he is an award winning playwright and novelist. You can find out more about him by clicking here.

Following his presentation, we will enjoy tea/coffee and birthday cake from 2:30-3:00pm and hear a brief overview of our club’s history given by Ruth Hilland.

I hope you have reserved the date to be with us. Bring a guest and/or just come and be part of getting 2016 off to an auspicious start.

Cheers,

Lillian

 

L.R. Wright (1939-2001)

 

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Author L.R. Wright (“Bunny” to family, friends and colleagues) resided in Calgary only from 1970 to 1977.  However, she honed her writing skills here, as journalist and under the mentorship of W.O. Mitchell – and she developed into an acclaimed writer, nationally and internationally. A Chatelaine article labelled her “Canada’s Queen of Crime Fiction.” Her crime series has often been compared to P.D. James and Ruth Rendell, no less! Her books delve deeply into character and human behavior. She was quoted as saying that she wanted to write fiction “…because you can tell more truths in fiction”.

Born to write, by age 14 Bunny realized that a novelist couldn’t necessarily earn a living and decided instead on a career in journalism. She took secretarial courses to learn to type and enrolled in night classes in creative and non-fiction writing. At 19, she sold her first article to the Globe and Mail about what it was like to be a teenager in Germany.

In 1959, she found a job at the small-town British Columbia weekly, the Fraser Valley Record. Although she loved newspaper work, she decided California was the place to live, found a job in an advertising agency and became involved in amateur theatre productions. In 1961 Bunny returned to Vancouver to attend the UBC Summer School of Theatre, where she met John Wright. They both performed with Canada’s first touring theatre company for young audiences, before marrying in 1962.

As in her growing-up years, her family was nomadic, following job opportunities from city to city throughout western Canada and California. Bunny worked at odd jobs, putting her husband through graduate studies in drama at Stanford and raising two daughters. She didn’t return to journalism for almost ten years, until 1968, when the family moved to Saskatoon and she worked as a reporter for the Star-Phoenix.

A year later the Wrights moved to Calgary where Bunny worked as a reporter for the Albertan and the Herald, and later as Assistant City Editor at the Herald. Johnna Wright wrote the following:

“It’s my impression that our time in Calgary had a great impact on Mom’s development as a writer. The Calgary Herald supported her to study fiction writing under W.O. Mitchell at the Banff School of Fine Arts, and it was after that that she completed her first novel.  She always said that being a journalist had a huge impact on her fiction writing…  It made her an extremely conscientious researcher and fact-checker, and also taught her to meet deadlines.”

L.R. Wright shared her writing techniques in an article “The Truths of Fiction” (Books in Canada, April 1992). “W.O. Mitchell has a way of teaching that he calls ‘freefall’. It’s stream of consciousness: you sit at the typewriter and just kind of write. And I found that very freeing.” Even so, she was still stuck until she phoned her husband and he advised her to pretend she was someone else, just as when she was an actress. Another W.O. Mitchell technique is called “sense memory” where one tries to recall an incident, second by second, drawing on all five senses to evoke it. Bunny said, “That is what I learned in Banff, and I have been using it ever since.”

The family then moved to Edmonton, and Bunny was able to leave journalism and write. She won the Alberta Culture Search-for-a-New Novelist competition, which allowed her to work with an editor at MacMillan to complete and publish her manuscript. Neighbours is about a mentally disturbed woman and the people around her. Much like Alfred Hitchcock stories, what is disturbing or terrifying is that the settings and people seem “everyday”. As Western Canadian readers, especially, we know these characters and settings and people very well – or do we?

Soon after, the family moved to a suburb of Vancouver, where the family stayed. Wright’s next two novels, The Favorite and Among Friends, were published by Doubleday in 1982 and 1984. These provided income but they were not well received by literary critics.

It was with her fourth novel, The Suspect, that Bunny achieved national and international attention as a crime novelist, winning the 1986 Mystery Writers of America Edgar Allan Poe Award for best novel. It was translated into 8 languages and optioned for movie rights. The book was the catalyst for the Karl Arlberg and subsequent Edwina Henderson series. She continued to write mainstream novels but they never did as well as the mystery novels.

 After publishing The Suspect, L.R. Wright completed an MA degree, taught writing extensively, travelled across Canada and the U.S. promoting her books and attending conferences, served as Chair of the Crime Writers of Canada. She was a juror for numerous literary awards and granting bodies. L.R. Wright’s novels have been published in Canada, the USA, Great Britain, Denmark, France, Germany, Italy, Japan, Norway, Spain and Sweden. She wrote adaptations of several of her books for CBC Radio drama and for film and television, often in collaboration with John Wright. Her daughter Johnna Wright is currently working on a stage adaptation of The Suspect.

Janet Halls presented the Calgary writer L.R. Wright on October 20, 2015

Marda Loop Fireside Chat Feb 8

Is this serendipity, or what?

Having just discovered Shaun Hunter’s blog on Calgary through writers’ eyes, Carol Blyth shared this event with local authors Sharon Butala, Brian Brennan and Ruth Scalp Lock, to be moderated by Shaun Hunter on February 8.

Full disclosure: I know Shaun and she is worth meeting in her own right! Janet Halls

To check out this opportunity, click here! Marda Loop Fireside Chat Feb 8

Totally Hilarious Will Ferguson

What better way to start 2016 than to adventure to The Source of The Nile with Will Ferguson? Get ready to laugh out loud (…again, if you were lucky enough to join Flora’s CWLC presentation in November!).

Click here for the Calgary Herald’s hilarious excerpt from Road Trip Rwanda

Will Ferguson presented by Flora Spackman

Your Webnovice Janet recommends that you never miss an opportunity to hear Will Ferguson, live! 

Mr. Ferguson is arguably one of the most successful writers in Canada today.  He is well-known for his humourous observations on Canadian history and culture.  He has written 18 books in three different genres: Canadian history and observations, novels and travel writing.  He has won awards for his books in each of these genres.  Flora talked about each one of these categories and read excerpts from various books to give us an idea of Ferguson’s writing:  Why I Hate Canadians, The Penguin Anthology of Canadian Humour, Bastards and Boneheads:  Canada’s Glorious Leaders Past and Present (affectionately now known in our book club as “B&B”), Canadian Pie, Canadian History for Dummies, The Girlfriend’s Guide to Hockey, Happiness TM,  and Road Trip Rwanda.  We laughed.  We cried.  A 6 minute television interview with Mr. Ferguson about his book, Road Trip Rowanda, was shown.

The video magically appears here!

 

Poet and U of C Writer-in-Residence

Photo of Nick Thran from CBC News, The Calgary Eyeopener August 28, 2015

Nick Thran, CBC News, The Calgary Eyeopener August 28, 2015

On November 3, we were delighted to have as our guest speaker Mr. Nick Thran, author of three books of poetry and this year’s University of Calgary Writer-in-Residence. A native of Prince George BC, he received his Masters of Fine Arts from New York University (NYU). Currently he is poetry editor for Brick Books. He is married to poet Sue Sinclair and they have a young daughter.

We were given an interesting glimpse into the mind of a poet, as Mr. Thran talked about motivations and behind-the-scenes efforts of writing poetry. As a child, his family moved a great deal and he experienced intense feelings as a teen which he was able to express through poetry.

He discussed the importance of finding images which resonate in one’s life so as to be able to fit these intense images into writing. For example, he carried an image of a flooded river in the south of Spain when he was 16 years old. The ripe oranges from the local orchards had spilled over into the flooded river and this image stayed with him. Years later, when he read Ezra Pound’s poem, “In the Station of the Metro,”  the memory of the oranges resonated and he was able to make a connection and write a poem.

While still a young man, Nick Thran had the opportunity to work in a book store and was allowed to take home all the books he wanted as long as he returned them the next day in pristine condition. This afforded him the freedom to read a huge variety of books. He feels that he became a better poet by reading broadly.  While taking his Masters at NYU, he was influenced greatly by a professor of journalism, Lawrence Weschler.

His wife, Sue Sinclair, is a poet. He read one line from one of her poems – “side by side with eternity, but never touch” – the comma is extremely important! He taught us that poets spend a great deal of time dealing with the microscope of the language in a tactile way.

We were fortunate to hear Nick Thran read several of his poems:

  • “Azucar” (sugar)
  • “Marginalia”
  • A poem from the book, Earworm, “Coastguard vessel pleasure boat” in which each line was taken from headlines of Globe and Mail newspaper articles
  • “The Particular Melon” is from his newest book, Mayor Snow, about two fictional people having a conversation about making a film about a melon

And he read an excerpt from an essay, “My Library.”

After time for questions from the audience, Anne Tingle thanked Nick Thran for helping us de-construct poetry.