In February 2021, the Calgary Women’s Literary Club celebrates 115 years as a home for women who love books. Since being started by Anne Davidson, the club has included many fascinating Albertans some of whom were (or are) members for more than 50 years. Well-known members have included the suffragette Nellie McClung.
Our Tuesday meetings on “Writers of Australia and New Zealand” begins via Zoom on March 2nd, 2021. Cecilia Krupa will be presenting on Miles Franklin. Existing members will receive an invitation to the Zoom call prior to the meeting.
With sadness, the Calgary Women’s Literary Club informs you of the passing of honorary member Lois Alger on January 6, 2021. Lois was a club member for more than 60 years and served as president in 1964-1965.
Lois lived in the era when a woman’s role centered on service to family and community. She actively supported husband Ross Alger in his position as Calgary mayor in the late 70s. Lois, the intellectual and lover of literature and ideas found her own personal haven with the Calgary Women’s Literary Club as an active member from 1950 to 2010. Club records show she researched and authored 28 presentations several of which extended over 2 to 3 weeks. There was some very serious literary analysis in those days. For example, in 1988 Lois presented William Falkner over a two-week period. Other authors of note that she presented on include Jane Austen, Virginia & Leonard Woolf, Toni Morrison, and Fyodor Dostoyevsky.
There was a a gap in Lois’s presentation activity between 1976 and 1981 corresponding to her husband Ross’s term as Calgary mayor. Even Lois Alger could not ‘do it all’.
Lois will remain a role model of personal friendliness and dedicated service to Calgary Women’s Literary Club.
On November 24, 2020 the club held the annual Winter Party by Zoom. For the first time ever, the party included a secret book exchange. Members gave a book from their shelf anonymously to another member and the gifts and givers were revealed during the Zoom call. This may be the start of a winter tradition.
The books, along with tea and cookies were delivered to member’s houses by couriers from the Executive. Many thanks to President Robin Stanford and all the Executive for making this happen seamlessly. Helen was a wizard at devising the exchange and the courier routes to minimize travel and keep anonymity up.
The Winter Party marks the end of CWLC meetings in 2020. We will resume in the spring of 2021 with the topic “Cultural Awareness/ Writers of Australia and New Zealand”. Greetings and best wishes to all CWLC members, their friends, their families, and other followers of this webpage, as 2020 – a year like no other -draws to a close.
On November 17, 2020 Anne-Marie Duma presented the two Norwegian authors who are credited with creating the popular Nordic Noir (Scandinavian Noir) genre. Maj Sjowall and Per Wahloo created the 10 book “Story of Crime” series in the 1960’s and ’70’s – police procedurals that cast light into the dark side of Norwegian society.
The authors use plain language, a dark landscape, and slow multilayered plots to highlight the poverty, criminality and brutality underneath the welfare state. Anne-Marie read several passages that emphasized the bureaucratic failures, social ills and endemic petty corruption that contribute to crime and hamper police work.
These books are for the reader who likes to solve a puzzle.
On November 10, 2020 Helen shared her experience of the poetry, fiction and non-fiction of Julia Alvarez, a Dominican American author. Ms. Alvarez’s work highlights the 20th century immigrant experience from a woman’s point of view. Helen illustrated, through readings from “The Woman I Kept to Myself” – a book of poetry; discussion of Alvarez’s works of auto-fiction; and a video clip from 2020, that Julia Alvarez is not silent in spite of family and societal expectations for women like her.
Ms. Alvarez’s hero as a young girl was Scheherazade, a woman who used storytelling to defeat a autocrat. Through her own work, she seeks to bring out truths that expose the ways that society can oppress. Her best known work, “In the Time of the Butterflies” is a fictional account of real sisters who were assassinated for their opposition to the Dominican Trujillo regime. Much of her other work is very personal, discussing her experience as an immigrant and bringing out stories that were not discussed within her family.
Janet Samber presented South African Afrikaaner author Laurens van der Post whose many works of fiction and non-fiction alike reflect his real-life experiences as a farmer, journalist, soldier, prisoner of war, and student of Carl Jung. Using photographs from her own travels to southern Africa, Janet introduced members to the fascinating world of the Kalahari Bushmen, the indigenous people of that part of the continent. The Bushmen were of passionate interest and concern to van der Post who, in writing The Lost World of the Kalahari, sought to raise awareness about these original hunter-gatherers and the genocide threatening their existence. In so doing, he reminds us all of our common humanity.
The Writers’ Guild of Alberta’s magazine Westword published an article about our Club in their October-December 2019 issue. Moorea Gray wrote the article, and we have been granted kind permission to post this article on our website.
Further information about the Club can be found by clicking on ABOUT US
THE CALGARY WOMEN’S LITERARY CLUB A book club with a difference (then and now) Moorea Gray
The Calgary Women’s Literary Club (CWLC) — founded in 1906 by Annie Davidson — is a self-described “book club with a difference.” With the diversity of book clubs emerging among friends and in communities, libraries and schools — some led by television and Internet celebrities — you might wonder what makes CWLC different. Although some elements of the club evolved over the past 113 years, the structured program, dedicated membership and rich legacy of literary study and community involvement all contribute to the club’s distinctiveness and long-lasting success.
Club meetings don’t consist of members reading and discussing the same book. Instead, one member prepares a 30-35-minute talk based on her choice of an author. Every two years, the executive committee selects a theme upon which presentations are based. This year, for example, the theme is “Cultural Awareness Through Literature” and presentations include the works of Richard Wagamese and Susanna Moodie, among others. In addition to member presentations, guest speakers make appearances. Distinguished guest authors have included W.O. Mitchell (1966) and Grant MacEwan (1981).
Membership comes with a yearly fee of $40 ($0.25 in 1906). Like Davidson and her fellow readers, CWLC members are creative, well-read, interesting and passionate about literature and learning. Members are expected to attend regularly and present every other year.
Since 1906, presentation summaries, meeting minutes and other documents of interest have been housed in the Glenbow Museum’s Library and Archives. Soon, the materials will move to the University of Calgary. These archives provide details of club activities and literary trends, community events, women’s rights and world history.
Although community engagement is not the purpose of the guild, when the opportunity arises, the CWLC gets busy. In 1915, members helped to pay for seamstresses for the Military Chapter of the Red Cross. In 2018, the club purchased a window in support of the Calgary Public Library’s Windows of Opportunity fundraising program with a bequeathed sum of money from a past member. Members take pride in honouring Davidson’s legacy; it’s not uncommon for the executive to ask, “What would Annie do?”
A widow in her late sixties, New Brunswick-born Davidson (née McKean) held the first CWLC meeting in her home on February 9, 1906. ” At the first meeting, by-laws were drawn up, officers elected and program topics chosen. Early meetings were devoted to rather heavy works, e.g. Shakespeare’s Henry IV and V, and world affairs and current events. By the 1920’s they were devoted to pure literature. Attendance ranged from 25 to 30.” (Source: “Our History,” CWLC website, calgarywomensliteraryclub.com)
Davidson, aware that the growing city of Calgary would profit significantly from a library, applied for a Carnegie Foundation library grant. From 1883 to 1929, Andrew Carnegie — a Scottish-American philanthropist — helped fund the building of more than 2,500 libraries worldwide, of which 125 are in Canada. “A library outranks any other thing a community can do to benefit its people. It is a never-failing spring in the desert,” said Carnegie. To obtain funding from the foundation, Calgary was required to provide land for the library site, and a petition of one-tenth of the male electorate’s signatures was needed. Thanks to Davidson’s leadership and determination, the foundation provided a grant of $80,000, and the Central Memorial Library opened in 1912. The first CWLC meeting held in the beautiful sandstone building was on February 6 of the same year. Unfortunately, Davidson died in 1910 — a few years before the library’s opening.
The CWLC is the oldest club of its kind in Canada. Today, the club meets every Tuesday afternoon in March, April, and October and November at the Memorial Park Library (previously named Central Memorial Library). Coffee and treats are served at 1:30 P.M. A welcome and administrative note from the club president is followed by the presentation and a question and answer period.
The CWLC has a current membership of 35 women. New members are welcomed and encouraged, and men are welcome to attend as guests. For more information and to submit an online membership application, please visit our website (calgarywomensliteraryclubcom). No longer are two written references required — as in the early years — but only a keen interest in literature.
Mooréa Gray holds degrees in English literature and education. She has been a member of the CWLC since 2016. Along with raising her family and teaching, Gray has devoted much of the last decade to researching Icelandic-Canadian poet Stephan G. Stephansson and published an anthology of his translated poetry in August 2019. She is a native of Calgary, where she lives with her family.
On October 27 2020, member Elaine Buckman gave a presentation on the works of modern Afghan-American author Khaled Hosseini.
For Elaine, Mr. Hosseini makes the refugee immigrant experience personal in his two novels. The ancient and recent history of Afghanistan is one of resistance to foreign conquest. Culturally, Afghanistan has conservative tribal and class distinctions that are a contrast with the values of Western society.
Mr. Hosseini’s father was a diplomat, who emigrated to the United States after the Russian invasion of Afghanistan. His family settled into an immigrant community and Mr. Hosseini became a doctor and married a law student who was also in the Afghan immigrant community.
While working as a doctor, Mr. Hosseini wrote his first novel “The Kite Runner”. It is a tale of both Afghanistan and immigrants who have left Afghanistan. The characters struggle to meet traditional family expectations while respecting individual rights in a modern social setting. The novel was met with widespread commercial success and has been made into a movie and a play.
A second novel “A Thousand Splendid Suns”; a book of short stories “ And Now the Mountains Echo; and a poem “ Sea Prayer” have followed “The Kite Runner”. These works continue the themes of the immigrant experience, grief, class & poverty, and the status of women in Afghan society.
Denise Doz chose this South African author for his masterful and influential use of literature to plea for compassionate love, or agapé, for those suffering under South Africa’s apartheid system. She noted that institutionalized apartheid has regrettably been replaced with something new in South Africa, and racism isn’t restricted to that country. Shamefully, Apartheid was informed by Canada’s Indian Act. His books remain relevant today with the Black Lives Matter movement in the USA and across the world in our current news cycle.
“(Agapé) embraces a universal, unconditional love that transcends and persists regardless of circumstance.” (Wikipedia)
Alan Paton wrote from the soul, and with faith that his own society could change through non-violence. He wanted to motivate readers to compassion and change. Cry, the Beloved Country, his first novel, dug deep to expose the implications of apartheid on individuals, family and society. It was groundbreaking, bringing the faces of apartheid to readers worldwide. Paton became a prolific author thereafter.
Denise’s first reading was of his description of his birthplace, Durban, demonstrating his exquisite “wordscapes” that incorporate all senses. She ended her presentation with a video clip: We saw a rugby stadium and the singing of the new South African anthem in Zulu, Afrikaans and English in the post-apartheid “Rainbow Nation.” Transformation is happening.